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  • 5.1 aac export for feature film

    Hello All, First, much appreciated for any and all help. I appreciate all the experience in the room, so to speak. K. Working on Media Composer 7, PC. Partnering with www.vhx.tv to sell my film and stream online, but i'm having trouble with the export. I need to export an mp4 file with 5.1 AAC audio...
    Posted to Avid Media Composer - PC (Forum) by Ethan Kogan on Mon, Oct 7 2013
  • MC 7 : Colors bars (SMPTE) different from before

    Has anyone else noticed this about the color bars : when importing SMPTE_Bars in MC7 (file pixel to video mapping set to «601 SD or 709 HD (16-235)), the color bars are different from the ones you get when you open the VIDEO OUTPUT TOOL and set the Test Patterns to SMPTE_Bars. On a scope, both...
    Posted to Avid Media Composer - Mac (Forum) by Patrick Loiseau on Fri, Jul 19 2013
  • 5.1 Source settings and timeline

    Hello all, Just out of curiosity here.... I have a 10 channel Prores QT; my audio mapping is: L/R/C/Lfe/Ls/Rs (1-6), Stereo Broadcast (7-8), Stereo Web (9-10). When i bring it into Symphony, I change the source audio settings to match what i just described, but when I bring it to the timeline with 5...
    Posted to Avid Options Forum (Forum) by Gustavo Mendes on Fri, Aug 10 2012
  • Re: Can file import look as good as SD SDI capture?

    Here's a colorspace oddity: Why do smpte bars exported with the same 601 export settings to Quicktime DV look different (darker) than bars expored to Quicktime Uncompressed or Quicktime Prores (lighter)? Then all import back into the Avid with the same levels. Does DV codec have some hidden video...
    Posted to Avid Media Composer - Mac (Forum) by chuckkahn on Mon, Nov 24 2008
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