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  • What is the recommended workflow for creating h264 or x264 Blu Ray discs?

    Hi there, I'm having trouble figuring out the best workflow for producing a h264 or x264 blu ray disc. The previously advised workflow is QT mov or QT ref from Avid> Sorenson Squeeze to create blu ray files> Avid DVD to author blu ray disc. However, Avid DVD only supports MPEG-2 encoding for...
    Posted to Avid Media Composer - PC (Forum) by OWSucks on Tue, Jun 4 2019
  • Safe Color Limiter as Checkmark, when exporting

    It would be a nice feature, if you are exporting for an xdcam disk, or other exports, with an option to limit the colors for tv-norms (with Presets). So the editor is safe, when he has to deliver to a tv-station.
    Posted to Avid Pro Video & Film Feature Requests Forum (Forum) by be on Thu, May 17 2018
  • Media Offline After Migrating to Nexis

    I have recently migrated a project to our new Nexis. I copied over the Avid MediaFiles folder (maintaining the file structure), the project folder, and the raw footage to the root of the Nexis workspace. I can open the project from the Nexis and it shows all the bins and sequences, but all my media is...
    Posted to Avid NEXIS | PRO (Forum) by Dynacor on Fri, Jan 26 2018
  • Nexis workspace best practice

    Hi, I have a series coming up at a production company where I can control the Nexis workspaces and not just let a facility take care of that side of things, so I'm considering how best to work with workspaces on Nexis and would appreciate any thoughts. I know it potentially makes sense to have workspaces...
    Posted to Avid NEXIS | PRO (Forum) by gns on Mon, Aug 7 2017
  • New to NEXIS. Need advice on workflow and folder placement/structure

    Hi, We just installed a NEXIS/Media Composer combination on a Windows 10 box. Prior to that, we were using Media Composer with two Dolce drives. Our old workflow consisted of putting all of our non-Avid-transcoded files on a QNAP server that we accessed on the network. The QNAP file structure was based...
    Posted to Avid NEXIS | PRO (Forum) by Andy Aronson on Wed, Jun 21 2017
  • Smallest Proxy workflow video/audio

    Hi folks, hoping you might be able to help me with this headache. I work on a drama that's shooting abroad for five days. Due to the post schedule we need to get the footage back daily. Unfortunately the internet upload speed out there is about 2-3mbps. So our usual offline resolution of DNX36 won't...
    Posted to Get Started Fast (Forum) by testrachan on Thu, Sep 1 2016
  • Importing mov files into Avid

    Hi all - I have a lot of Canon footage which I thought I could AMA link into my project. The footage opens in QT - H264, 1920 x 1080 16 bit, 23.98 FPS, no problems. When I try to AMA link it in using the Auto detect AMA plugin I get Avid Editor Services are not Running. Please start Services from the...
    Posted to Get Started Fast (Forum) by witnessdocfilms on Mon, Sep 14 2015
  • MediaFiles management by project

    Wouldn't it be a great idea to name the mediafiles folder with the project name and not the computer name ? I mean "Avid Mediafiles>MXF>project name" instead of "Avid Mediafiles>MXF>computeur name"? For little company with no Isis but just classic external drives,...
  • AVCHD PRIVATE folder appearing as QuickTime package

    I want to import .mts files from to MC 6.5 but I can't because the PRIVATE -> AVCHD -> BVMD folders are appearing as QuickTime packages instead. I can right-click and Show Package Contents to get down to the STREAM folder with the .mts files in finder, but it does not work when trying to import...
    Posted to Avid Media Composer - Mac (Forum) by Viscer on Tue, Feb 12 2013
  • Alexa DNxHD/MXF support

    Could someone please help me with these workflow questions? I just read the white paper about the ALEXA DNxHD support and they are suggesting the way to get the MXF media into the Avid is through AMA. For editorial on a commercial that might be great, but for a feature, I don't like that option....
    Posted to Film and 24p (Forum) by swatchpost on Tue, Mar 20 2012
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