A clip timecode frame counting heads up about ingesting Tapeless sources into Avid Media Composer SD 23.976 NTSC Project. DaVinci Resolve v11.3.1 assigns a straight to 24 frame per second count not skipping any numbers in that frame per second count for clips that are 23.976 fps/24 fps. Avid Media Composer...

I am curious, perchance, are you using Avid Subclips in your editing workflow? Sounds like you have identified matching metadata. With matching metadata you might almost bet there. Just position the matching metadata in the strategic "LINK" column in the Avid Bin: As of Media Composer v6.5...

I wrote a step-by-step: preparing the embedded metadata of an Avid Media Composer video mixdown mxf media file for a DaVinci Resolve conform. http://library.creativecow.net/freeman_scott/Avid-Video-Mixdowns_DaVinci-Resolve/1

it is fun that one can currently take 1920(4K+), any frame-rate too and edit it in the Avid using AMA. The avid adds a motion effect when the framerate of the source file does not match the project framerate for sequence playback. this is fun because as long as you frame the shot correctly in the Avid...

Currently, a workaround for me has been to have the Offline Editor use an Avid "Resize" effect with keyframes and I send that to Resolve using an AAF for extraction. This way I can rotate the Image, push in or out, and support Avid keyframes etc. I have Resolve pull the original 4K 5K camera...

Master Clips in a bin are assigned frame numbers (timecode metadata) that the Avid Media Composer creates. For Example: AMA-Direct-Link Source file 1920x1080p 23.98 fps quicktime movie the Avid allows a tape name, depending on the current project preset choice, different frame count metadata can be assigned...