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  • Re: Mixed Aspect Ratio Media Query

    Hi all, I have been researching a bit in the past couple of weeks on upscaling solutions from SD to HD. I came across this article on RedsharkNews: https://www.redsharknews.com/production/item/6227-how-ai-is-helping-to-make-the-best-classic-tv-series-restorations in the comment section a user describes...
    Posted to Avid Media Composer - PC (Forum) by Jojo Likar on Wed, Mar 27 2019
  • Export Settings for an HD Sequence to be ultimately be burned to DVD

    Hello All, Looking for any pointers here. I need to export an HD sequence out of Avid (PC) in order to put it through Squeeze and ultimately create a DVD. The problem is I am running into some time issues here. The sequence is an hour long and exporting a full, uncompressed Quicktime file takes roughly...
    Posted to Avid Options Forum (Forum) by mmagbee on Mon, May 21 2012
  • My AMA files are all of a sudden not yellow and act like normal clips.

    I am using AMA to as a tool for Offline / Online workflow (as I was taught at BBC in previous job). The workflow isthis: open bin, link to AMA. Transcode to lo res. Complete Edit. Thenhighlight AMA, transcode to hi rez andrelink sequence. In this project there were fortunately only 4 P2 cards - I found...
    Posted to Avid Media Composer - Mac (Forum) by tommy bristol on Wed, Oct 19 2011
  • My AMA files are all of a sudden not yellow and act like normal clips.

    Normal 0 false false false EN-GB X-NONE X-NONE MicrosoftInternetExplorer4 /* Style Definitions */ table.MsoNormalTable {mso-style-name:"Table Normal"; mso-tstyle-rowband-size:0; mso-tstyle-colband-size:0; mso-style-noshow:yes; mso-style-priority:99; mso-style-qformat:yes; mso-style-parent:"";...
    Posted to Get Started Fast (Forum) by tommy bristol on Wed, Oct 19 2011
  • Avid DS Television Workflow

    There are several posts here and elsewhere from people trying to push AAFs and Avid media through color systems and back. Some have it working, many do not; the potential pitfalls, headaches and drawbacks of it are well documented. Since 2009, we have been using a different method that I think is simple...
    Posted to Avid DS (Forum) by AvidHDcutter on Fri, Aug 26 2011
  • 16mm nanoflash transfer workflow for finish on hd

    hi, I am a total newbie in the digital world so excuse the uneducated post. I have this project to be finished on avid (hd) and screened in theater screens from this finished file. I have shot this film on 16mm and transfered it to hd on a nanoflash in technicolor. files are being read as xd5d files...
    Posted to Avid Media Composer - Mac (Forum) by kezzap on Thu, Jun 23 2011
  • 5D workflow from Symphony to Lustre

    I am in the midst of a project that is using both RED and Cannon 5D footage and was wondering if anyone could help me out with a workflow that will go from offlining on the Avid Symphony to finishing in Lustre. The main problem I am having is with the 5D footage. Because the 5D footage doesn't have...
    Posted to Avid Options Forum (Forum) by mmagbee on Wed, Sep 29 2010
  • Import MXF de la p2 en el Media Composer 4.0.2

    Hola a todos, quisiera saber si alguno me puede dar alguna pista de lo siguiente: Me pasaron unos files .mxf de la camara p2 en 1080i 60. Yo estuve leyendo todos los workflows, pdf, y step by step de la web de Avid sobre el workflow con los archivos de esta cámara... pero todos describen cómo...
    Posted to Foro en EspaƱol (Forum) by attiasavid on Sat, Sep 11 2010
  • EDL into Lustre

    I was wondering if anyone could help me. I am trying to export an EDL, consisting of RED files linked via AMA, out of the Avid Symphony and bring it into Lustre. The problem is, is that when brought into Lustre, the file names aren't recognized or are the wrong sections of the raw footage or the...
    Posted to Avid Options Forum (Forum) by mmagbee on Mon, Sep 6 2010
  • Getting started in HD?

    I work in a small military broadcasting office that's just getting it's feet off the ground. My boss would like us to start shooting some projects in HD 16 X 9. We shoot with a panasonic DVCProHD P2. Does anyone know the standard camera and avid media composer settings for this format?
    Posted to Broadcast Newsroom (Forum) by karmacam on Thu, May 20 2010
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