Browse Site by Tags

Showing related tags and posts accross the entire site.
  • Relink Proxies to R3D Files-Not AMA linked

    Hi everyone, What is the process of relinking proxies to the original R3d files (I did not AMA link the footage into Avid, I trancoded in RedCine X to codec DNxHD 36) I am trying to send the sequence to our color corrector who will use Davinci Resolve. I have read information on hiding the original MXF...
    Posted to Get Started Fast (Forum) by Bastianvek on Tue, Mar 8 2016
  • Trouble importing Avid AMA-linked media into Resolve for Color Conform

    Hi all, I am new to DaVinci Resolve, but still believe I am doing everythig correctly. Specifically, I am having trouble importing Avid AMA linked media into Resolve 11 Lite for a color correctionist. Our show was shot on a RED Dragon camera and I have taken these steps: 1.) AMA linked all RED footage...
    Posted to Avid Media Composer - Mac (Forum) by BrettG on Wed, Oct 28 2015
  • Avid DS Television Workflow

    There are several posts here and elsewhere from people trying to push AAFs and Avid media through color systems and back. Some have it working, many do not; the potential pitfalls, headaches and drawbacks of it are well documented. Since 2009, we have been using a different method that I think is simple...
    Posted to Avid DS (Forum) by AvidHDcutter on Fri, Aug 26 2011
  • EDL, AAF & RED

    Can someone let me know if a native RED sequence can be output through an EDL, AAF or ALE? My goal is to get a 4K sequence into After Effects in order to finish with titles, Keying, Color Correction, etc. I would like to maintain the RED native file as the source file in order to maintain resolution...
    Posted to Avid Media Composer - PC (Forum) by PATTERSIUS on Thu, Nov 4 2010
Page 1 of 1 (4 items)

© Copyright 2011 Avid Technology, Inc.  Terms of Use |  Privacy Policy |  Site Map |  Find a Reseller