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  • Re: Segment Mode on PC vs MAC

    Well - I should have done more poking around - SHOW FOUR FRAME DISPLAY was checked on in my timelime settings. At least now I know what setting that does.
    Posted to Avid Media Composer - PC (Forum) by ramz434 on Wed, Oct 10 2018
  • Segment Mode on PC vs MAC

    I know this is kind of apples vs oranges - but this Im primarily on a PC and I just noticed how much smoother this operation is on a Mac - Whenever I use segment or slip mode on a PC - the preview and program monitor switch to a 4 screen and this creates a lag and a stutter whenever I go into those modes and start dragging footage around On a Mac these
    Posted to Avid Media Composer - PC (Forum) by ramz434 on Wed, Oct 10 2018
  • Re: Mount all drives

    I don't think that 'mount all drives' would work in this particular case - my understanding of 'mount all drives' (and how I use the command) is that it reads network attached drives as media drives if they contain the Avid MXF folder structure. You might have another issue going on - how is your drive formatted? NTFS? EXFAT?
    Posted to Avid Media Composer - PC (Forum) by ramz434 on Wed, Sep 19 2018
  • Re: XAVC-S Timecode - AMA link

    DIESELE's footage was shot at 100 fps and the TC came in fine at HD 1080 (Im assuming thats a 25fps project). scocklin's footage was 24 and the TC didnt link correctly (not sure of project fps - assuming 24) . Im going to check what the frame rate was for the footage Im having trouble with. It was a mixed rate shoot (some 60, some 24) - and
    Posted to Avid Media Composer - PC (Forum) by ramz434 on Sat, Sep 8 2018
  • Re: XAVC-S Timecode - AMA link

    This is the problem that I had - UHD footage had correct TC - the HD footage was actually a mixed bag. Some of it AMA'd with the correct TC, but some of it didnt.
    Posted to Avid Media Composer - PC (Forum) by ramz434 on Sat, Sep 8 2018
  • Re: XAVC-S Timecode - AMA link

    Using the software C onvert V4 (or now named Dali's Mustache) - rewrapping preserves the original camera TC. That proper TC can be seen in Premiere before converting. (I tend to bring in all of the XAVC_S footage into Premiere to make sure that the files do, indeed, have proper TC). In my case - all the zeros that are showing up in MC 2018.8 are
    Posted to Avid Media Composer - PC (Forum) by ramz434 on Thu, Sep 6 2018
  • Re: XAVC-S Timecode - AMA link

    I can re-wrap the footage into an MOV container and get the correct TC. Thats just an extra step though, and doubles the amount of hard drive space taken up. The TC doesnt start with 00:00:00:00 - it can be seen in Premiere that the clips all have proper TC values (in this case - starting at the :08 hour mark)
    Posted to Avid Media Composer - PC (Forum) by ramz434 on Wed, Sep 5 2018
  • XAVC-S Timecode - AMA link

    I know that reading XAVC-S timecode has been a problem in the past - but I was under the impression that it was fixed in MC 2018.8. The problem Im having is only half of the files from a shoot are coming in with the proper TC. The two clips in the image attached were shot sequentially - same frame rate, same raster size, same codec - but only one of
    Posted to Avid Media Composer - PC (Forum) by ramz434 on Wed, Sep 5 2018
  • Re: Media composer achiving projects

    Avid now does give you the option in the media tool to seperate a render file and a title / graphic file. You can isolate all the render files and blow those away without the fear of losing any sort of title.
    Posted to Avid Media Composer - PC (Forum) by ramz434 on Tue, Sep 4 2018
  • Re: Sorenson Squeeze and Avid - Statement

    [quote user="cls105"] I stopped using Squeeze a long time ago. My workflow to make web exports is ama file export. [/quote] Im with you cls105 - This has been my workflow for the past yr or so. To deliver a low quality daily (mp4 at 2k mb/s) - I go MXF OP1 to AME - The whole process is insanely fast using AME with this particular workflow
    Posted to Avid Media Composer - PC (Forum) by ramz434 on Thu, Aug 9 2018
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