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  • Re: D.I.T. workflow arri & red

    Ok, I'll get a look today and trying to do it the effective way, thanks everybody, I'll let you know 'bout progress.
    Posted to Avid Media Composer - Mac (Forum) by reflex980 on Mon, Jan 6 2014
  • Re: D.I.T. workflow arri & red

    Thank u very much Job, this helps me to better understand how the machine works. But I can't get, at this point, how the .ale works whit the transcoded file I've made in da vinci. You mean the .ale needs to be in the same folder of the dnxhd clips (transcoded) and those clips needs to preserve the original timecode and clip name? So .ale works
    Posted to Avid Media Composer - Mac (Forum) by reflex980 on Mon, Jan 6 2014
  • D.I.T. workflow arri & red

    Hi everybody. I've just look 'round by the forums here but i've some difficult finding what I need. As D.I.T. sometimes productions asking me to give an mxf transcode of the footage to the post house, and I just wanna be sure to send the material the perfect way. I'll send an hard drive whit te Avid MediaFiles/MXF/(number of the shooting
    Posted to Avid Media Composer - Mac (Forum) by reflex980 on Sun, Jan 5 2014
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