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  • Music Video, RED footage - Workflow?

    So here's the deal. I have Red footage, most of it shot in 4K (1,9.1), but some in 3K. I don't think we'll need the final video in 4K, it will probably end up in 2K. I have about 1,3GB of Red-footage. I have AMA-linked all the footage into Avid, and my computer is working big time now transcoding... (read more)
    Posted to Get Started Fast (Forum) by GGEnron on Thu, Jun 4 2015
  • D.I.T. workflow arri & red

    Hi everybody. I've just look 'round by the forums here but i've some difficult finding what I need. As D.I.T. sometimes productions asking me to give an mxf transcode of the footage to the post house, and I just wanna be sure to send the material the perfect way. I'll send an hard drive... (read more)
    Posted to Avid Media Composer - Mac (Forum) by reflex980 on Sun, Jan 5 2014
  • MC7, RED Epic Workflow

    Just upgraded from MC6 to 7. On a shoot this week using a RED Epic. Can someone please help me with the RED Workflow in MC7 Interplay. I heard tale of lots of improvements. I have been trying to research all night but there is no clear workflow. I am editing food commercials. I need to be able to do... (read more)
    Posted to Get Started Fast (Forum) by Brian Hathaway on Mon, Nov 18 2013
  • RED Scarlet/AVID MC 5.5.1 Workflow for color correction

    Hi to all who is reading this!. . .I thank you for taking the time to answer my question. I've recently found my problem to my offline DNxHD 115 RED footage in my AVID clips and Sequence. .. I finally came up with decomposing my offline Sequence, then making a PULL LIST for the clips in the sequence... (read more)
    Posted to Avid Media Composer - Mac (Forum) by Sebastian Angulo on Mon, Aug 20 2012
  • Avid DS Television Workflow

    There are several posts here and elsewhere from people trying to push AAFs and Avid media through color systems and back. Some have it working, many do not; the potential pitfalls, headaches and drawbacks of it are well documented. Since 2009, we have been using a different method that I think is simple... (read more)
    Posted to Avid DS (Forum) by AvidHDcutter on Fri, Aug 26 2011
  • AMA and native editing

    At the moment i am really disappointed how colorful and lovely the announcement was i got from avid… Stop Waiting and Start Working Now! Stop transcoding and start editing RED, QuickTime, and Canon tapeless media immediately Media Composer Software 5.0 - Directly access and edit RED files through... (read more)
    Posted to Avid Media Composer - Mac (Forum) by denay on Tue, Aug 10 2010
  • RED workflow with MC5 without using DS or Symphony

    Hi. I'm a young editor studying in Rome at the Cinecittà Studios. I know it can seems strange but nobody in Cinecittà know how to finalize an edited sequence and conform it in a 2k master. Anybody told me you have t use a DS or a Symphony but here in Rome the only Studio I know that... (read more)
    Posted to Avid Media Composer - Mac (Forum) by gastoneferrante on Thu, Jul 1 2010
  • Stereoscopic Workflow

    Hi, I'm trying to figure out what the best way to go about planning for a stereoscopic 3D project might be. We are in the pre-production stage of a shoot for a six minute live action project and I am working on an Avid DS V10 with the 8400 workstation. I am in the fortunate position to be able to... (read more)
    Posted to Avid DS (Forum) by Boomtown on Mon, Aug 3 2009
  • Red Camera Workflow

    I'm about to start editing a project shot on red cam. I'm following the steps laid out in http://www.studiodaily.com/studiomonthly/currentissue/9261.html . I'm having trouble with the step where I create a quicktime (ref) in red alert and then batch import it into my media composer 2.8.3... (read more)
    Posted to Avid Media Composer - Mac (Forum) by smanfredo on Fri, May 23 2008
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