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  • Super 16 mm workflow research, recommendations

    Hi there. I'm soon to start cutting a feature that will be shot super 16 but i'm not yet up to speed with current s16mm film workflows. At this stage, beacuse i don't know exactly what the producers will settle on for deliverables I'm looking for general advice. Would people usually use... (read more)
    Posted to Film and 24p (Forum) by matthewh on Fri, Oct 30 2015
  • AMA

    HOLA, SOY DE ECUADOR NECESITO SU AYUDA. HOY ABRI MI PROYECTO Y MI SECUENCIA ESTAB OFF LINE, LOS CLIPS FUERON LINKIADOS CON AMA. AHORA NECESITO VOLVERLOS VISIBLES, COMO LO HAGO? GRACIAS CV (read more)
    Posted to Avid User Groups (Forum) by Christian Jhonson on Tue, Oct 9 2012
  • 16mm nanoflash transfer workflow for finish on hd

    hi, I am a total newbie in the digital world so excuse the uneducated post. I have this project to be finished on avid (hd) and screened in theater screens from this finished file. I have shot this film on 16mm and transfered it to hd on a nanoflash in technicolor. files are being read as xd5d files... (read more)
    Posted to Avid Media Composer - Mac (Forum) by kezzap on Thu, Jun 23 2011
  • Film workflow help needed!

    I'm editing a film and am a bit confused on the best workflow to use. The film was shot on 16mm and is being transferred to BetaSP. In order to achieve the best look should I set up a 30i, 23.976 NTSC or 24p NTSC project? I understand that the telecine slows the film down to 23.976 from 24 fps to... (read more)
    Posted to Film and 24p (Forum) by MAttacca on Thu, Aug 7 2008
  • An Effective Way Of Syncing...

    Hello, could any body describe me the function of "Autosequence"? I've never used it before but it seems to generate a Sequence from Audio and Video if they have same TC? What is this for? I've did a short test and it appears that this function relys only on the embeded (capured) StartingTC... (read more)
    Posted to Avid Media Composer - PC (Forum) by haukez on Wed, Jul 30 2008
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