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  • Alexa ProRes to DS workflow issues

    I am attemting to conform my offline sequence with the original Alexa ProRes 444 material. The camera files were transcoded to dnx36 using Colorfront's OSD. Now that the sequence is finished I would like to link back to the ProRes files. The idea was to take the sequence and relink to the files using... (read more)
    Posted to Avid DS (Forum) by TravisB on Thu, Jan 19 2012
  • Avid DS Television Workflow

    There are several posts here and elsewhere from people trying to push AAFs and Avid media through color systems and back. Some have it working, many do not; the potential pitfalls, headaches and drawbacks of it are well documented. Since 2009, we have been using a different method that I think is simple... (read more)
    Posted to Avid DS (Forum) by AvidHDcutter on Fri, Aug 26 2011
  • reverse s-log lut

    Hi, does anyone know where I can find a reverse s-log lut to allow me to view Sony F35 s-log 444 RGB tapes linearly in DS? Where making dailies for an MOW being shot locally. No help from Sony. DS 10.3 z800 thanks for any info Doug Woods Senior Editor PowerPost Halifax, Nova Scotia 902 240 0138 (read more)
    Posted to Avid DS (Forum) by Doug Woods on Wed, Jul 7 2010
  • offline and online with xdcam footage in DS Nitris v10

    As a Ds Nitris editor i am used to offline and online my self on Ds. With the Red and XDcameras we bought this process has become a lot more complex and time consuming. The Red workflow we solved by cutting my offline on FCP and converting our files with Discreets WiretapCentral to whatever format i... (read more)
    Posted to Avid DS (Forum) by baslightyear on Fri, Apr 23 2010
  • Re: More P2 questions

    They're shooting to an external P2 recorder (i believe) so i assumed that the footage would be .mxf using the avc intra codec, if not it sounds like they're gonna have a tough job cutting it! So basically if in the cutting room they copy/transcode the footage into their adrenaline (at SD compression... (read more)
    Posted to Avid DS (Forum) by sionp on Tue, Oct 6 2009
  • Stereoscopic Workflow

    Hi, I'm trying to figure out what the best way to go about planning for a stereoscopic 3D project might be. We are in the pre-production stage of a shoot for a six minute live action project and I am working on an Avid DS V10 with the 8400 workstation. I am in the fortunate position to be able to... (read more)
    Posted to Avid DS (Forum) by Boomtown on Mon, Aug 3 2009
  • MXF file work around

    Understand that the 720p 29.97 MXF files don't directly work on the DS Nitris, but is there another work around that someone has designed? I could get it onto a Composer and get quicktimes out and then go to the DS, but maybe there is another way, keeping the timecode, etc. (read more)
    Posted to Avid DS (Forum) by advdw on Fri, Jun 13 2008
  • Re: DS versus SCRATCH

    You should also take a look at the DS Wiki RED Cinema page. I put up a Case Study from Michael Radeck, who tried to use Scratch for grading and found the DS workflow much simpler. Now, there have been a few replies from the folks at Assimilate to that Case Study, so I posted the Scratch workflow as well... (read more)
    Posted to Avid DS (Forum) by mhollis on Sat, Mar 29 2008
  • Re: Real Newbie.

    You might also look at my response here in the forum to another new user. I do recommend taking all three classes and then also working with someone who is experienced, or hiring someone who knows the DS for a time while you get your feet wet. (read more)
    Posted to Avid DS (Forum) by mhollis on Thu, Mar 27 2008
  • Re: DS Users: What does Avid need to know about DS?

    I took the DS courses. I also took the Avid Media Composer courses. I took MC courses from Future Media Concepts in NYC and they were really expensive for a freelance editor to afford. And then, it hit me. When you take the courses on the Media Composer or Symphony or DS, you get an overview of the capabilities... (read more)
    Posted to Avid DS (Forum) by mhollis on Thu, Mar 27 2008
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