Latest post Fri, Mar 22 2019 7:00 PM by George Angeludis. 2 replies.
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  • Thu, Mar 21 2019 6:45 PM

    50p shot deliver on 50i

    Most of the cameras todays as my GH5 are shooting progressive but the TV channels here (or everywhere) want 50i for both SD and HD.

    I think it's better to shoot on 50p so I can deliver or encode to 50i after.

    Anyone facing the same issues?

    Thanks/

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  • Thu, Mar 21 2019 7:47 PM In reply to

    • Lukas Boeck
    • Top 500 Contributor
    • Joined on Fri, Jul 31 2015
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    Re: 50p shot deliver on 50i

    yeah, this works.

    MC 2018.12.2 Cusom bulid Supermicro X9SRL-F, 32 Gig Ram, 3ware 9750 6x6TB Seagate EC Drives, LSI 9207 + LTO-6, Mojo DX, Artist Color, Flanders CM240, GTX... [view my complete system specs]
  • Fri, Mar 22 2019 7:00 PM In reply to

    Re: 50p shot deliver on 50i

    It works right as follow:

    Shoot 50p link to a 50i project with Interpolated Field (change the adapter to if it's not).

    Edit and export as DNxHD 185X (This will not be 365X because of the 50i) by QT Export (do not render anything).

    MC will tell you that will not be a SAS export but a DNxHD 185 50i etc.

    The file will be Top Field First because it is HD.

    Then you can encode it as HD or SD to TMPGEnc with I only GOP Structure

    (In case of a Mpeg2 Program Stream Delivery).

    Otherwise the Avid DNxHD 185x will be more than enough.

    File will be fine for air.

    Desktop PC

     

    Corsair RM750X|Asus P8Z68 Deluxe(Gen3)|i7 2600K@4.4|Corsair 32G DDR3|PNY Quadro P2000(411.95)|Samsung 850 Pro SSD(OS) 256 GB|2x1TB Crucial MX500@RAID 0|2x500GB Mushkin SSD@RAID 0|LG BH16NS40|W10 Pro 64bit|Media Composer Software 2019.6 with Symphony Option on Dongle|2xHP 22'' Monitors|M-Audio AV30 Speakers.

     

    Larry as long as I live I will remember you.

     

    3 Heads Digital Films

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